July 1, 2011

Here’s something the Austin Chamber of Commerce fliers fail to mention: Usually when some hoary old beer-bellied coot starts blathering on about the good old days when Austin was cheaper, cooler, friendlier, more relaxed, and less pretentious, he’s not fucking around. It’s true. Back in the days of the Armadillo World Headquarters, Lone Star was a nickel a pitcher, pot was a dollar an ounce, and condoms were as rare as the Hope Diamond. In fact, you needed to be at least that hard to put one on. No one ever wore them mind you, because the CIA hadn’t even invented AIDS yet. That’s why pretty much every house party or beer bust devolved into a roiling clusterfuck reminiscent of the tangle of earthworms at the bottom of a bait can. When people weren’t sunbathing nude down at Barton Springs, they walked around shoeless and commando. The only fashion (other than freeballing) was daisy duke cutoffs and worn out “Keep on Truckin'” tank tops, and you really only needed a car if you had to drive some place way out on the edge of town like Oltorf or North Loop. Sadly, there weren’t any smart cars back then … only art cars. There was nothing smart about art cars, but they were wicked clever. For instance, art cars didn’t come with amenities like windshield wipers, door handles, or brake lights, but then again Detroit never offered a car that was completely covered in plastic army men, Lone Star bottle caps, or snow globes. In Austin, art was a pretty big deal back in the day. Everybody did art all the time, even if they were smoking pot, dropping acid, or making huge submarine sandwiches. The best way to make really good art is to not have a job, and back then you didn’t need one. Everybody shared everything: clothes, food, transportation, housing …. Instead of dropping major coin on an expensive Downtown condo, you could just crash on the sofa of Willie’s tour bus, park your Good Times van down by the river, or pass out in a bathroom stall at some dive bar down on Sixth Street. Yes, dive bar. It’s nearly impossible to imagine now, but Sixth Street used to be skeevy for very different reasons than it is now. Instead of teeming with crowds of binge-drinking tourists and douche bags with gelled hair and Ed Hardy shirts, Sixth Street used to be a dark, lonely place with just a smattering of bars, restaurants, and porno joints. In 1974, local artist Jim Franklin and his friend Bill Livingood got the Sixth Street ball rolling when they opened up the Ritz Theatre as a live music venue. Two months later, the Uranium Savages played their first show there. Thus began a colorful 36-year-and-counting career. Yes, these days the Savages all qualify for AARP discounts and abdominal trusses, but they’re still cranking out music that defines the Austin aesthetic: daring, derivative, irreverent, sloppy, fun, funny, and thought-provoking. Plus, they do it in freaky costumes with zany props. Artistically and stylistically the Uranium Savages are all over the map, which is just the way Austin likes it. This Saturday, they will be at the corner of Barton Springs Road and Riverside Drive at Threadgill’s World Headquarters (owned by a beer-bellied old coot from the Armadillo days named Eddie Wilson) for Artly Fest, a benefit for one of the Savages’ own, Artly Snuff, who was injured in a car accident back in December 2010. Bands on the bill include Extreme Heat, Cornell Hurd, Rick Broussard, Larry Lange & His Lonely Knights, and of course, the Uranium Savages themselves. Not surprisingly, Artly Fest also coincides with International Eddy Day, the Savages’ annual celebration of the Patron Saint of 709. If all this sounds strange and confusing, welcome to Austin. Just remember, it’s not as fun as it used to be.